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Architectural Books and Collaborations:
Rising Oceans & Spaces That Care
Complexities and ideas behind the Friendship Hospital by Kashef Chowdhury / URBANA in Bangladesh
In times of global crises, architecture must also seek new sustainable approaches to climatic and social challenges. Designed by Kashef Chowdhury / Urbana, the Friendship Hospital in southern Bangladesh can be regarded as pioneering in this respect. The hospital, which was awarded the 2022 RIBA International Prize, provides life-saving healthcare, as well as enhancing the identity of a coastal region that has been devastated by cyclones and soil salinisation as a result of rising sea levels.
Constructed in local brickwork, the architecture collects the valuable rainwater and uses the wind for natural cooling, while subtly interacting with specific characteristics of the world’s largest river delta. It also applies universal architectural means such as space, light and proportions to ensure the well-being of patients and the people close to them.
A profound architectural stance developed out of the geography and history of the local context makes this work globally relevant. This book, which includes a photo essay by Hélène Binet, presents plans, diagrams and model photos that offer insight into the design and construction process in one of the world’s most climate-affected regions.
https://www.accartbooks.com/uk/book/rising-oceans-spaces-that-care/
In times of global crises, architecture must also seek new sustainable approaches to climatic and social challenges. Designed by Kashef Chowdhury / Urbana, the Friendship Hospital in southern Bangladesh can be regarded as pioneering in this respect. The hospital, which was awarded the 2022 RIBA International Prize, provides life-saving healthcare, as well as enhancing the identity of a coastal region that has been devastated by cyclones and soil salinisation as a result of rising sea levels.
Constructed in local brickwork, the architecture collects the valuable rainwater and uses the wind for natural cooling, while subtly interacting with specific characteristics of the world’s largest river delta. It also applies universal architectural means such as space, light and proportions to ensure the well-being of patients and the people close to them.
A profound architectural stance developed out of the geography and history of the local context makes this work globally relevant. This book, which includes a photo essay by Hélène Binet, presents plans, diagrams and model photos that offer insight into the design and construction process in one of the world’s most climate-affected regions.
https://www.accartbooks.com/uk/book/rising-oceans-spaces-that-care/
CONCRETE JUNGLE
TROPICAL ARCHITECTURE AND ITS SURPRISING ORIGINS
Concrete Jungle presents some of the most exciting tropical houses and tells the surprising story of lush modernist architecture.
The clash of rational architecture with the organic lushness of tropical vegetation has created some of the most visionary and futuristic buildings we know.
Based on the concepts of Modernist style and Bauhaus aesthetics, tropical countries like Brazil or Mexico have developed their highly unique visions of an international style and an architecture which is both timeless and desirable, which continues to be highly influential around the globe. In Concrete Jungle we embark on a journey through the works of architects influenced by the tropical modernist style, from Luis Barragán to Paulo Mendes da Rocha, to Marcio Kogan.
In light of its release, we spoke with Romullo Baratto, managing editor of ArchDaily Brazil, and contributor to Concrete Jungle about his background, relationship with the book, and what readers can expect to see from the title.
Concrete Jungle presents some of the most exciting tropical houses and tells the surprising story of lush modernist architecture.
The clash of rational architecture with the organic lushness of tropical vegetation has created some of the most visionary and futuristic buildings we know.
Based on the concepts of Modernist style and Bauhaus aesthetics, tropical countries like Brazil or Mexico have developed their highly unique visions of an international style and an architecture which is both timeless and desirable, which continues to be highly influential around the globe. In Concrete Jungle we embark on a journey through the works of architects influenced by the tropical modernist style, from Luis Barragán to Paulo Mendes da Rocha, to Marcio Kogan.
In light of its release, we spoke with Romullo Baratto, managing editor of ArchDaily Brazil, and contributor to Concrete Jungle about his background, relationship with the book, and what readers can expect to see from the title.
MARINA TABASSUM Architecture: My Journey
MARINA TABASSUM ARCHITECTURE: MY JOURNEY is the first book devoted to the Bangladeshi architect Marina Tabassum and her multifaceted architectural oeuvre.
Marina Tabassum’s exploratory approach makes her architectural practice one of the outstanding contemporary positions internationally. Her diverse oeuvre spans from governmental projects to housing and has brought her numerous honors and accolades in the international field of architecture.
This volume presents various public and private building projects that Marina Tabassum has worked on since 1995, first with the architectural office URBANA and since 2005 through Marina Tabassum Architects (MTA). The selection of her architecture in this book ranges from early projects in the city of Dhaka shortly after completing her studies at Bangladesh University of Engineering and Technology (BUET), such as the Museum of Independence and the celebrated Bait Ur Rouf Mosque, to recent mobile modular structures called Khudi Bari. Tabassum is establishing the latter for the people affected by displacement in various geographically and climatically challenged locations—both in the Ganges Delta and in the Rohingya refugee camp at Cox’s Bazar on the border to Myanmar, which is currently the largest refugee camp in the world.
The internationally renowned authors reflect on various perspectives and interpretations of Tabassum’s work. Besides the historical and political background, the contributions deal, among other things, with spotlighting particular architectural elements that pervade Tabassum’s work, such as place and memory, light and spirituality, brick and materiality, and people and community.
With contributions by Sean Anderson, Vera Simone Bader, Kareem Ibrahim, Hanif Kara, Andres Lepik, Nondita Correa Mehrotra, Tanzil Shafique, Cristina Steingräber, Marina Tabassum, Sarah M. Whiting, and Danny Wicaksono.
Marina Tabassum’s exploratory approach makes her architectural practice one of the outstanding contemporary positions internationally. Her diverse oeuvre spans from governmental projects to housing and has brought her numerous honors and accolades in the international field of architecture.
This volume presents various public and private building projects that Marina Tabassum has worked on since 1995, first with the architectural office URBANA and since 2005 through Marina Tabassum Architects (MTA). The selection of her architecture in this book ranges from early projects in the city of Dhaka shortly after completing her studies at Bangladesh University of Engineering and Technology (BUET), such as the Museum of Independence and the celebrated Bait Ur Rouf Mosque, to recent mobile modular structures called Khudi Bari. Tabassum is establishing the latter for the people affected by displacement in various geographically and climatically challenged locations—both in the Ganges Delta and in the Rohingya refugee camp at Cox’s Bazar on the border to Myanmar, which is currently the largest refugee camp in the world.
The internationally renowned authors reflect on various perspectives and interpretations of Tabassum’s work. Besides the historical and political background, the contributions deal, among other things, with spotlighting particular architectural elements that pervade Tabassum’s work, such as place and memory, light and spirituality, brick and materiality, and people and community.
With contributions by Sean Anderson, Vera Simone Bader, Kareem Ibrahim, Hanif Kara, Andres Lepik, Nondita Correa Mehrotra, Tanzil Shafique, Cristina Steingräber, Marina Tabassum, Sarah M. Whiting, and Danny Wicaksono.
Aga Khan Award for Architecture 2022 – Inclusive Architecture
The release of the Aga Khan Award for Architecture every three years is an enormously important moment for the architecture world. The projects recognized by this Award represent the vanguard of thinking and practice in architecture that goes beyond the regular scope of building, planning and preservation through its strong impact on the needs and aspirations of societies. This publication presents the twenty shortlisted projects, including the six recipients of the 2020–22 cycle of the Award.
The Aga Khan Award for Architecture’s mandate is different from that of many other architecture prizes: it not only rewards architects but also identifies municipalities, builders, clients, artisans and engineers who have played essential roles in the realization of a project. This publication thus presents the projects from various viewpoints alongside detailed and up-to-date images and descriptions.
The acclaimed, interdisciplinary master jury and steering committee of this cycle of the Aga Khan Award for Architecture that determines the projects presented include David Chipperfield, Francis Kéré, Anna Lacaton, Marina Tabassum, and Sarah M. Whiting, to name but a few. Scholarly essays across various disciplines from members of the master jury and steering committee round out the publication. Contributions include a text on the optimism of humanity by Souleymane Bachir Diagne, director of the Institute of African Studies, Columbia University, and a contextualization of Modern Architecture in the Muslim World by Sibel Bozdoğan of Boston University. Kazi Khaleed Ashraf, director-general of the Bengal Institute for Architecture, Landscapes and Settlements, in Dhaka, Bangladesh, writes on the perspective of the dialogical, while Nasser Rabbat, the Aga Khan Professor at MIT, shares notes on architecture as a humanist empire. The texts also include a Salon des Refusés by Nader Teherani, founding principal of Boston-based architecture firm NADAAA.
The texts, which come from a wide range of geographies, are informative and descriptive, often striking an emotional note. Together with the project presentations, the publication thereby guides the reader through a contemplation of an architectural question of increasing urgency in our current times of crisis: how to build ethically for our shared global future.
With contributions by Kazi Khaleed Ashraf, Sibel Bozdoğan, Souleymane Bachir Diagne, Farrokh Derakhshani, Nasser Rabbat, Nader Teherani, and Sarah M. Whiting.
The Aga Khan Award for Architecture’s mandate is different from that of many other architecture prizes: it not only rewards architects but also identifies municipalities, builders, clients, artisans and engineers who have played essential roles in the realization of a project. This publication thus presents the projects from various viewpoints alongside detailed and up-to-date images and descriptions.
The acclaimed, interdisciplinary master jury and steering committee of this cycle of the Aga Khan Award for Architecture that determines the projects presented include David Chipperfield, Francis Kéré, Anna Lacaton, Marina Tabassum, and Sarah M. Whiting, to name but a few. Scholarly essays across various disciplines from members of the master jury and steering committee round out the publication. Contributions include a text on the optimism of humanity by Souleymane Bachir Diagne, director of the Institute of African Studies, Columbia University, and a contextualization of Modern Architecture in the Muslim World by Sibel Bozdoğan of Boston University. Kazi Khaleed Ashraf, director-general of the Bengal Institute for Architecture, Landscapes and Settlements, in Dhaka, Bangladesh, writes on the perspective of the dialogical, while Nasser Rabbat, the Aga Khan Professor at MIT, shares notes on architecture as a humanist empire. The texts also include a Salon des Refusés by Nader Teherani, founding principal of Boston-based architecture firm NADAAA.
The texts, which come from a wide range of geographies, are informative and descriptive, often striking an emotional note. Together with the project presentations, the publication thereby guides the reader through a contemplation of an architectural question of increasing urgency in our current times of crisis: how to build ethically for our shared global future.
With contributions by Kazi Khaleed Ashraf, Sibel Bozdoğan, Souleymane Bachir Diagne, Farrokh Derakhshani, Nasser Rabbat, Nader Teherani, and Sarah M. Whiting.
Architecture as Freedom
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Aug 24, 20171 min read
প্লাস্টিকের খোলশ
সমস্ত শহর অন্ধকার, ঝড়ে উড়ে গেছে চোখের পাপড়িরা, হঠাৎ কে যেন টেনে ঘুমপাড়িয়ে দিল আমাকে, আর কিছু নেই, কেউ নেই, সময়ের অপচয় নেই, মৃত্যুর...
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Talks by Asif Salman
TEDxAUST
x = independently organized TED event
Theme: Against The Odds
The journey of an individual to become extra-ordinary has never been easy. But neither did the odds ever stop anybody from solving critical problems, making a difference or achieving greatness.
This event occurred on
September 29, 2021 | 10:00am - 4:00pm +06 (UTC +6hrs)
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